In a newly posted video, film score composer Mark Korven shows off his demon baby, a one-of-a-kind noisemaker he’s affectionately dubbed The Apprehension Engine. Tired of the same old samples cropping up in movie after movie, the musician (whose credits include Vincenzo Natali’s Cube and, more recently, colonial-era chiller The Witch) wanted something he could use to produce original sound effects. He commissioned guitar maker Tony Duggan-Smith to create the nightmarish machine in the video above, which uses metal rulers, curled scrap metal, and other assorted bits of junk to generate supremely disturbing... music?
The people cannot get enough Batman. He’s everywhere: he fought Superman, now he’s in the Justice League, soon he’ll return to another solo movie, and he ended up back in the news due to Adam West’s passing — we’re living in the Batman-est of all possible worlds. And those Batmaniacs clamoring for more time with the Caped Crusader before he returns in Justice League on November 17 are in luck, because Bruce Wayne and a couple familiar friends will storm nationwide theaters for a special one-night engagement this summer.
Boys, girls, people of all ages, the Serkis has come to town! Andy Serkis, that is. The motion-capture professional will take the lead of the neo-Planet of the Apes franchise once more on July 14 for War for the Planet of the Apes, the third chapter in the trilogy. At this point, audiences pretty much know what to expect: the great clash between hostile humanity and peaceable simiankind rages onward and approaches a final reckoning, as the Serkis-played chimp Caesar wrestles with the terrible responsibilities of leadership in wartime. But before audiences can revisit Apeworld for one last battle, 20th Century Fox wants to be sure we all appreciate just how much went into this film.
Denis Villeneuve’s getting ready to tie a ribbon on Blade Runner 2049. The French filmmaker behind Arrival told Entertainment Weekly that “we are running towards the finishing line right now” on the production due for release October 6, and added that “we are elated. It feels like Christmas as we look at the completed shots.” But directors of generously budgeted studio projects have to say that, nonspecific positivity is pretty much written right into their contracts. Footage, however, cannot lie, and so it’s enticing news indeed that Villeneuve’s little exclusive with EW comes packaged with a new featurette including fresh frames from the hotly anticipated sequel.
With so many massive studio tentpoles springing up all over, you’d be forgiven for letting the gestating Jumanji remake slip your mind. The rework of the ’90s kid-friendly fantasy film, playing under the somewhat unwieldy title Jumanji: Welcome to the Jungle (yeah, tack the tagline right onto the title, why not!) will come to theaters December 20, but prying eyes have already ensnared some key details about the film. There was the whole brouhaha surrounding Karen Gillan’s hilariously impractical jungle outfit and her mealy-mouthed explanation as to why her character had to get all hotted up for a nature expedition, a controversy I have dubbed Midriffgate, and now today brings news of another curious detail of story.
Netflix has been notoriously secretive about their data, whether that’s subscription demographics or the all-important individual streaming figures for specific titles. Though they’ve grown into a major player in the world of entertainment, we really have no earthly idea whether Netflix is successful or not. (They almost definitely are, unless this is the single most brazen bluff in showbiz history.) The only knowledge we have of Netflix’s inner workings comes from the occasional missive issued by content head Ted Sarandos, who made one such announcement in a recent letter to shareholders. Among the financial jargon and quarterly earnings reports, Sarandos dropped the chilling detail that Netflix’s 100 million-strong user base has collectively streamed over 500 million hours of Adam Sandler movies since The Ridiculous Six opened. Today, ScreenCrush invites you to consider the brain-collapsing enormity of that number.
A thought to chew on this morning: is the upcoming Avengers: Infinity War the It’s a Mad, Mad, Mad, Mad World of superhero movies? Both films sought to engineer success by jam-packing as many celebrities and other known quantities into its run time, assured that volume of wattage would surely translate to box-office paydirt. In the case of Stanley Kramer’s epic comedy, it worked, but the jury’s still out on Marvel’s latest superpalooza. Today brings the news that yet another big name will indeed be shoehorned into the third installment of the Avengers ensemble franchise, and fans are sure to be pleased.
Rick Moranis: the guy Woody Allen calls a nebbish, a nervously tittering lead of family films (he lit up millennial living rooms with his Honey, I... trilogy) and bluer comedic works (Ghostbusters, Little Shop of Horrors, Spaceballs) alike. He was everywhere in the ’80s, but took an eminently understandable hiatus from acting beginning in the ’90s after his wife Ann succumbed to breast cancer. He did a noble and difficult thing by focusing all his energies on dutifully raising his motherless children, turning his back on fame and his public. Though he’s still taken the occasional job — he gave his kids something to love by contributing voice work to Brother Bear — he’s shied away from highly visible gigs. Until now!
Is Pixar losing their touch? They’re no longer the coolest animation house, having ceded some of that street cred to the international curators of GKids and the stop-motion prestidigitators at Laika. They’re not the most profitable, either, as their box office receipts are regularly dwarfed by the money factories erected by parent company Disney or Illumination. (Last year’s mega-smash Finding Dory was sorely needed after the underperforming The Good Dinosaur.) Pixar’s rep as the industry’s most creativity-driven, unfailingly excellent studio has faded as they’ve leaned a little harder on moneymaking sequels — Cars 3, coming soon! — but today brings the news that they’ve taken a significant step into regaining supremacy over the industry.
Is Johnny Depp somehow Johnny Depp-proof? With the early receipts for the latest installment of the Pirates of the Caribbean franchise now promising another blockbuster in the bag, it would appear that the actor’s somehow invulnerable to his own noxious public profile. Though the revelation that he had physically abused longtime partner Amber Heard came to light last year, it apparently hasn’t diminished his earning potential, and frustrating as that may be, it means we’re in for a whole lot more Depp. And if producer Jerry Bruckheimer has anything to say about, more Jack Sparrow in specific.
In one of the Trump administration’s more agreeable defilings of decades-long tradition, the White House’s ritzy move theater will now be available to those visitors touring the building’s East Wing. Say what you will about the new Commander-in-Chief — that he’s a pudenda-grabbing, fact-resistant demagogue, for instance — but at least he’s going to allow the general public a glimpse of how the most powerful man in the nation took in Finding Dory.
Serious question: does any single entertainer have such complete dominion over their chosen field as Weird Al Yankovic wields over the song parody? Skeptics may scoff that musical spoofery is a stupid thing to become really, really, virtuosically good at, but the point stands that Yankovic has completely and totally mastered his preferred art form. So when the producers behind the upcoming film adaptation of the Captain Underpants chapter book series needed to find a talent for their theme music, of course their choice was obvious. In no insignificant way, Weird Al Yankovic was born to write a peppy pop tune about tightened-whiteys.
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